8/27/2023 0 Comments Moom movieThe film follows Sam Bell ( Sam Rockwell ), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Moon. Find Cinema Halls running Hindi Movies, English Movies, Tamil Movies, Telugu Movies, Marathi Movies, Malayalam Movies. Through continuous online meetings between the directors and the production crews in Japan, the teams found a way to guide their passion towards capturing the creative vision of Tonko House and the world-class craftsmanship of the Japanese production studios. Moon is a 2009 science fiction drama film directed by Duncan Jones (in his directorial debut) and written by Nathan Parker from a story by Jones. Given the different production backgrounds of the directors from the producing partners there were different expectations for budget, schedule and process. The producers formed a talented production team in Japan and with Tonko House’s creative direction, they set out to make a film that combines the learned values from the American and Japanese animation cultures.įor the production of Moom, Tonko House collaborated with two animation studios in Japan, Craftar and Marza Animation Planet. Genki invited Dice and Robert to direct the adapted short and encouraged the directing pair to bring their interpretation of the story to the screen. “We have been blessed with a great team including passionate producers and a talented young writer set to complete the development phase this spring of the screenplay, visual development, and CG animation tests to expand the universe.Moom was originally a Japanese children’s book written by Genki Kawamura, a well-known film producer in Japan and illustrated by Yuuki Mashiko. “Development of ‘The Dam Keeper’ feature film has been the main project we have been focusing on this past year,” says Tsutsumi. While they’ve been working on “Moom” and other projects, the full-length “Dam Keeper” film is the main focus for Tonko House. “Of course, translating our painted sensibilities and working with a new, talented group of artists in Japan challenged our preconception of what we knew about making CG animated films.” The difference being, we are applying it to 3D, the medium we felt most comfortable with from our careers at Pixar and Blue Sky,” says Kondo. “We are still bringing the lighting and design sensibilities that are in our studio’s DNA. The computer-generated “Moom” is quite different visually from the digitally hand-painted “Dam Keeper,” but retains the gentle tone of its predecessor. Outside of writing, directing and editorial, ‘Moom’ was produced all in Japan and it was our first step towards collaboration with Japanese filmmakers.” “We loved the concept of this children’s book, but more than anything we were interested in working with Genki, who had done many successful live-action and animated films in Japan. “With our love of Japanese animation as well as our Japanese roots, it has been one of our dreams to collaborate with Japanese filmmakers since we started Tonko House,” says Tsutsumi. Wong Kar Wai is known for his romantic and stylish films that explore-in saturated, cinematic scenes-themes of love, longing, and the burden of memory. In a land where memories hold onto keepsakes, Moom and his mentor help. Tsutsumi says he and Kondo have wanted to do something to get in touch with their Japanese roots, so when Kawamura approached them to direct a short based on his book, they jumped at the chance. Moom: Directed by Robert Kondo, Daisuke Dice Tsutsumi.
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